
Our world consists largely out of embedded, encapsulated machines. One uses these 'black boxes' partially more self-evident than most simple tools like pencil or hammer.
The complexity of technological development, the machinery and electronics used in everyday devices is not translated into our perception. The system behind, the creation, conditions and user-optimization is in no way transparent. This thread runs through developments and inventions which should serve us with the help of complex units which we shall be able to use easy and effective.
The installation Living Kitchen – Happy End of the 21st Century offers the visitor opportunity to explore his/her own everyday world which is implemented in the ideas of automation and duty. A moment of sensual and aesthetic reception of an almost normal situation arises.
A standard formatted kitchen is equipped with ubiquitous devices and tools – furniture, kitchen devices, accessories and tools. All areas and devices function until a certain degree, however, their function is not created by use, it is subject of their own dynamic. The kitchen furniture and the household objects take on a life of their own; a course of poetic kinetic and sound action arises which then increasingly dissolve and run into an escalating independence. Some of the elements start their life as an orchestra out of kitchen-devices, tools and trunks, chairs and tables jump in rhythm. Part by part the objects calmly slow down, some still give voice, the light closes down.
In 1996 Stefan Doepner, Gwendolin Taube and Lars Vaupel founded the Institute for art, information and technology – f18 in Hamburg, Jan Cummerow joined in 1998.
f18 institute is a research and production frame for artistic exploration of today's technologies. To analyze and understand contemporary systems, structures and techniques f18 believes it is necessary to deconstruct and/or rebuild them.
Since the foundation of f18 the realization of own artistic projects, e. g. “IKIT – Park Bots”, “Playground Robotics”, workshops and commissioned artworks, e. g. Exoskeleton with Stelarc (AU), Rotobossophon1 and 2 with A. Bossard (CH), produced an extensive network of experts in different branches. Based on this f18 creates platforms for to enhance the exchange and co-operation in art, electronic media and technology, where results of different approaches could be merged into new understandings. Another focus of f18 is on development of electronic tools which enable artists to create their own positions in high tech environments
Since 1996 the group f18 has acquired most various projects and products in the areas of robotics, installation and electronic media. We work with utmost transparency in technology and structure, profane the technological glorification and mystic and try to grasp the relation between society and technology.