
“Alexitimia” is the manifestation of a deficit in emotional cognition. The terminology is a clinical construct that describes the behavior of someone who is mostly unaware of his feelings, or does not know what they signify, and hence, is not able to talk about their emotions or their emotional preferences.
Alexithymics beings are incapable of expressing mental conflicts verbally and therefore they express them through the body and its somatic functionality.
For this reason, Alexitimia is also the name of this “autonomous robotic agent” whose behavior is analogous to the process of sweating of the human skin. This alexithymic agent has a
very unusual and ambiguous behavior for a robot and, as a result, does not seem to be a powerful machine with equally powerful software housed in a mobile body able to act rationally on its perception of the world around it. On the contrary, Alexitimia is a robot constructed definitely without a clear function and utility, and consequently, clear motivations or goals to achieve. This autonomous robot was made to propose an ironic position different from the view of an agent as a “competent system of autonomy and determination”.
Created with an organic appearance made with soft and flexible materials, this robot cannot move around, it cannot see, cannot emit sounds, and also, it cannot detect voices; however, it can
interact with the spectators through its body. With the intention of showing a holistic approach to the hardware/software dichotomy; this robot, without any anthropomorphic (or robotic) appearance, interacts and communicates with the environment by only a tactile way of perception. Therefore, using it’s “artificial skin" as an interface, the corporeal scheme of this robot begins to sweat when somebody (a spectator) touches it.
Photo Credits: Fundación Telefónica, Argentina
Paula Gaetano Adi is an artist based on Buenos Aires, Argentina.
Gaetano’s work goes from sculpture pieces to performances, interactive installations and robotic agents that have been exhibited at MejanLabs –Stockholm, ARCO 07- Madrid Contemporary Art Fair, FILE Festival- Sao Paulo, BIOS4: biological and ambiental art- CAAC, Spain, Brandenburger Tor Foundation- Berlin, Museum of Modern Art Buenos Aires, Espacio Fundación
Telefónica- Buenos Aires, among others.
Her awards include, the First Prize in the international competition on art and artificial life VIDA 9.0 - Fundación Telefónica, the First Prize ‘LIMBØ’- Museum of Modern Art of Buenos Aires. Grants and fellowships from the Argentinean government, San Juan Bank Foundation and Fondo Nacional de
las Artes. Gaetano Adi holds a degree in Audiovisual Communication at the Blas Pascal University, Cordoba-
Argentina, and a postgraduate degree in New Media Arts from the same university.
During 2006 she was visiting scholar in a research residence at the REMAP –Center for Research on Engineering, Media and Performance- of the University of California, Los Ángeles (UCLA).
She is currently a faculty member of the Electronics Arts program of the Tres de Febrero National University in Buenos Aires and the program of Mixed Media of the National University of Lanús,
Buenos Aires.
Basically, her work and her conceptual and experimental researches inquire into the different ways in which technology acts on bodies. At present, her line of investigation proposes to find an “Artificial Corporality” in robotic agents, as a critical response to the most common paradigms on Artificial Intelligence.